![]() Typographic design solutions that are consistent across all these features add to its stylistic cohesion. An unusually high lower-case x-height again helps to give a more even colour and improve legibility.Ĭare has been taken to rationalise repeated elements like the tails on lower-case letters, the Q and the “ear” of the g. ![]() The A has a lower bar, opening up the interior counter. For example, the J, L and T have shorter arms than comparable sans typefaces. Bold, Bold Italic, Demi Bold, Demi Bold Italic, Extra Light, Extra Light Italic, Heavy, Heavy Italic, Light, Light Italic, Medium. ![]() Prime attention has given to the negative space between characters, giving a more even “colour”, especially in text. ![]() Several core ideas inform Paralucent’s design. The text weights have been adjusted for use at small point sizes, and feature more open character shapes, looser inter-letter spacing for improved readability, and lining numerals for use in listings and tables. There are two additions to the core 28-weight family: a three-weight stencil set, and a four weight text family. Paralucent is available in a wide range of weights from Thin to Heavy, in two widths each with italics. Designed to be a warm and versatile all-purpose modern sans in the tradition of Univers and Helvetica, but avoiding the calligraphic idiosyncrasies of the latter or the foregrounded optical corrections of the former.
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